

Malick Sidibé
Vue de Dos, 2002
Gelatin Silver Print
122 x 128 cm (framed)
1 of 3 produced
1 of 3 produced
Copyright The Artist
Art Historian Sylvia Boone research on women in Mende and Malian culture: “Movement, not nudity, is crucial to understanding the poetics of African women’s bodies…. The principal appeal of the...
Art Historian Sylvia Boone research on women in Mende and Malian culture:
“Movement, not nudity, is crucial to understanding the poetics of African women’s bodies….
The principal appeal of the behind is in the liveliness of its action. The buttocks must have a strong movement: they must wiggle rhythmically as the woman walks, either alternatively bumping up and down with each step, swivelling in. A large or rounded backside that does not dance about when the girl walks is dismissed as a fraud….everyone male and female, observes the buttocks of girls and women and is really excited when a good pair of hips goes by.”
“Movement, not nudity, is crucial to understanding the poetics of African women’s bodies….
The principal appeal of the behind is in the liveliness of its action. The buttocks must have a strong movement: they must wiggle rhythmically as the woman walks, either alternatively bumping up and down with each step, swivelling in. A large or rounded backside that does not dance about when the girl walks is dismissed as a fraud….everyone male and female, observes the buttocks of girls and women and is really excited when a good pair of hips goes by.”