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Malick Sidibé

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Malick Sidibé, Vue de Dos, 2002
Malick Sidibé, Vue de Dos, 2002

Malick Sidibé

Vue de Dos, 2002
Gelatin Silver Print
122 x 128 cm (framed)
1 of 3 produced
Copyright The Artist

Further images

  • (View a larger image of thumbnail 1 ) Malick Sidibé, Vue de Dos, 2002
  • (View a larger image of thumbnail 2 ) Malick Sidibé, Vue de Dos, 2002
Art Historian Sylvia Boone research on women in Mende and Malian culture: “Movement, not nudity, is crucial to understanding the poetics of African women’s bodies…. The principal appeal of the...
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Art Historian Sylvia Boone research on women in Mende and Malian culture:

“Movement, not nudity, is crucial to understanding the poetics of African women’s bodies….

The principal appeal of the behind is in the liveliness of its action. The buttocks must have a strong movement: they must wiggle rhythmically as the woman walks, either alternatively bumping up and down with each step, swivelling in. A large or rounded backside that does not dance about when the girl walks is dismissed as a fraud….everyone male and female, observes the buttocks of girls and women and is really excited when a good pair of hips goes by.”
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Literature

Serani, Laura Malick Sidibé (France: ACTES SUD, 2013) p. 22
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